From the first chorus of Wonderwall to the arms-aloft chanting of Don’t Look Back in Anger, the crowd was united by a band whose attitude once defined a generation. Even decades after Oasis first swaggered on to the stage, their fans have an unshakeable belief in rock’n’roll redemption, determined to keep the glory days alive, one anthem at a time
Photograph: Dougie Wallace

Bucket hats, worn low, were a nod to Liam Gallagher’s trademark look, while zipped-up parkas, vintage trainers and retro football tops revived an aesthetic born in Manchester’s swaggering 90s heyday. Sunglasses remained compulsory, come rain or shine
Photograph: Dougie Wallace

A young fan at Wembley
Photograph: Dougie Wallace

Wembley 2025
Photograph: Dougie Wallace

Oasis fans getting drenched in a downpour at Wembley
Photograph: Dougie Wallace

A happy fan at Wembley
Photograph: Dougie Wallace

The approach to Murrayfield was a steady tide of parkas and flags, moving in from all directions. August brought gales and drizzle that flattened bucket hats. Fans swapped stories with strangers and eyed each other’s gear for signs of authenticity. Norwegian flags, Welsh scarves and Italian football tops showed how far some had travelled
Photograph: Dougie Wallace

Murrayfield Stadium, Edinburgh, in July
Photograph: Dougie Wallace

From tickets to travel, merch to new outfits, Oasis fans are on track to pour £1bn into the UK economy during their reunion tour - about equal to Taylor Swift’s UK Eras tour
Photograph: Dougie Wallace

An Edinburgh council’s leaked safety briefing had said to expect audiences of ‘rowdy, middle-aged men’ with ‘medium to high intoxication’. David Walker, of the Oasis Collectors Group, called the language ‘a nasty, sneering stereotype’ while the Scottish politician Ian Murray said it was ‘snobby and classist’, pointing out that rugby supporters in the same stadium could drink in the stands while football fans could not
Photograph: Dougie Wallace

There are rumours Knebworth park could be the centre of next year’s shows, with extra dates in Newcastle, Manchester, Glasgow and even Paris at the Stade de France hinted at but unconfirmed
Photograph: Dougie Wallace

The fans’ style paid tribute not just to a band, but to a defiant moment when fashion, football and music came together. It was a look forged in the pubs and terraces of 90s Britain, resurrected now with ironic flair or entirely without irony, depending on who you asked. Either way, it has been adopted by a new generation
Photograph: Dougie Wallace

Liam Gallagher turned the concerts into open-air theatre. ‘What the f’s goin’ on in Edinburgh? All this jugglers and sword swallowing shit. Load of f’ing bollocks,’ he said, referring to the festival. He called Edinburgh council ‘a bunch of snakes’ and said their ‘attitude f’ing stinks’ and ‘I’d leave town that day if I was any of you lot’
Photograph: Dougie Wallace

Liam then claimed the gigs would bring ‘one f’ing billion pounds’ into Edinburgh, later upgrading it to ‘two f’ing billion’, and on the final night pushing it again to ‘three f’ing billion we’ve brought into this city over the past three days’. He delivered this line to roaring fan approval, adding that he was ‘still waiting for that f’ing apology’
Photograph: Dougie Wallace

It was the final night of the three-show run, and Edinburgh stayed warm long after the sun dipped, in the low 20Cs. Beer gardens around Roseburn were still busy as the last fans made their way in. The heat gave it more of a summer festival feel than a wet Scottish gig
Photograph: Dougie Wallace

Stocked-up fans at Murrayfield
Photograph: Dougie Wallace

Security horses outside the turnstiles, where there was a pre-match energy more akin to football than a rock gig
Photograph: Dougie Wallace

Fans at Murrayfield larking about
Photograph: Dougie Wallace

Dublin doing Dublin: the craic retail and nostalgia wrapped in Irish hustle. The whole place looking like a pop-up high street, pubs spilling on to pavements, lager foam and burger smoke in the air. Oasis, mad for it and grand with it
Photograph: Dougie Wallace

Summerhill off licence at Croke Park, Dublin, did a roaring trade
Photograph: Dougie Wallace

The bucket hat economy in full voice. Pop-up racks of hats and scarves, iron railings carrying the weight of a thousand brims’ as if the terraces themselves were part of the merch
Photograph: Dougie Wallace

They came over on the ferries, turning the Holyhead crossing into a floating karaoke. Others piled off the Belfast train, a slow river of fans with cans, scarves and stories. Coaches waited at Dublin Port, shuttling the rest straight to Drumcondra pubs where the pints were already lined up. By the time the turnstiles opened at Croke Park, the city felt less like a tour stop and more like a pilgrimage
Photograph: Dougie Wallace

A fan at Croke Park with a bottle of wine.
Photograph: Dougie Wallace

By the time the turnstiles opened at Croke Park, for two sold-out nights that drew 160,000 people, many flying in for what they saw as a once-in-a-lifetime Oasis return
Photograph: Dougie Wallace

Hats for sale on a railing in Dublin
Photograph: Dougie Wallace

Fans at Croke Park, Dublin
Photograph: Dougie Wallace

A fan wearing a Kneecap-style balaclava. A small flash of mischief
Photograph: Dougie Wallace

Labubu, the doll of the moment, trending through the terraces in its miniature Live ’25 kit, right down to the little shoes
Photograph: Dougie Wallace

An estimated 1.6 million will have seen Oasis in the UK and Ireland alone, 3 million worldwide
Photograph: Dougie Wallace

After shooting the Swifties last year, when I heard of the reunion, I thought the fans would all look the same. If I wanted 90s fashion, I could just loiter outside Wetherspoon’s, I told myself. Turns out I was wrong. Snagging a standing ticket for the first night at Wembley at the last minute turned out to be a blessing. Liam’s voice is, by all accounts, the best it’s been in years. The band are still together and killing it, denying the media the split they’d been sharpening pencils for. The Guardian’s Alexis Petridis handed the band five stars; I’d give the fans six. A must-see
Photograph: Dougie Wallace
