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John Dowland died 400 years ago this year, and we’ll be lucky indeed if there are many other tributes as captivating as this one from the mezzo-soprano Ruby Hughes, lutenist Jonas Nordberg and viola da gamba player Mime Yamahiro Brinkmann. The music is by no means all Dowland – in fact, the recording takes its title from a song by Purcell, and one of its most memorable tracks is a spellbinding version of the Corpus Christi Carol as set by Britten – but everything is steeped in the delicious Elizabethan melancholy that Dowland distilled so very effectively.
Hughes’s voice retains a natural quality, for all its refinement, which has been skilfully captured – the recording is close enough for her to be able to be soft and confiding, but there’s still a sense of space around the sound. She’s more vocally demonstrative than some, colouring each word individually: when in Dowland’s Flow, My Tears she sings of “fear, and grief, and pain”, we’re left in no doubt that these are three different but equally terrible emotions. And yet she, Nordberg and Brinkmann hold all this in balance, maintaining a persuasive sense of line and focus so that the expressivity registers not as indulgence but as communication. This is just as evident in the music by Dowland’s contemporaries and in Purcell as it is in the four new or recent compositions based on Shakespeare’s song lyrics at the end, by Deborah Pritchard, Errollyn Wallen and Cheryl Frances-Hoad.
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